Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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ANDREA DA FIRENZE
Triumph of St Thomas and Allegory of the Sciences

ID: 04777

ANDREA DA FIRENZE Triumph of St Thomas and Allegory of the Sciences
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ANDREA DA FIRENZE Triumph of St Thomas and Allegory of the Sciences


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ANDREA DA FIRENZE

Italian Gothic Era Painter, ca.1343-1377  Related Paintings of ANDREA DA FIRENZE :. | Triumph of St Thomas and Allegory of the Sciences (detail) fhfgg | Frescoes on the central wall | Triumph of St Thomas and Allegory of the Sciences | Descent of Christ to Limbo (detail) kkk | Crucifixion (detail) jj |
Related Artists:
Vyacheslav Schwarz
painted The Spring Pilgrimage of the Tsarina, under Tsar Aleksy Mihailovich in 1868
Frans Jansz van Mierisi
1635-1681 Dutch Frans Jansz van Mierisi Gallery
FONTANA, Lavinia
Italian Painter, 1552-1614 Daughter of Prospero Fontana. She was trained by her father and followed his Mannerist style. Her first recorded works, which date from 1575, were small paintings for private devotion, such as the Holy Family (Dresden, Gemeldegal.). By 1577 she had become established as a portrait painter in Bologna. Works of this date include the Self-portrait at the Harpsichord (Rome, Gal. Accad. S Luca) and the portrait of Senator Orsini (Bordeaux, Mus. B.-A.). Her portrait style reflects the formality of central Italian models as well as the naturalistic tendencies of the north Italian tradition. The elegantly costumed Orsini is shown seated at a table, with a suite of rooms opening behind him, a setting recalling such Florentine portraits of the 1530s as Agnolo Bronzino's Bartolommeo Panciatichi (Florence, Uffizi). Lavinia used a similar setting for other portraits, including the Gozzadini Family (1584; Bologna, Pin. N.). Female sitters are also shown in elaborate dress, with particular attention paid to details of embroidery and jewels, and they are often accompanied by small dogs






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